still riding high off the recent release of culoe de songs watergate mix we keep it coming with four exclusive tracks from culoe himself on our first ep of exclusives from the compilation. deadmans walk kicks things off with lush percussive grooves and luminous shades of euphoria resulting in a serene foray into enchanted destinations while the self titled ‘aftermath’ follows with a much more deliberate intent utilizing rich, rising harmonies and bold, rugged drums culminating in a massive sonic event. flipping to the b-side we see culoe dive into an energetic and unique space with ‘bang royales’ creating undeniably engaging rhythms with vocal chants and off kilter rhythms. rounding out the ep is juice and with its heavenly sounds of angelic vocals and soaring progressions is the perfect display of de songs signature sound and approach. were happy to present to you culoe de songs aftermath ep and think you will enjoy the trip into the mind of a truly unique artist.

eye can see the darkness (in the end of the tunnel) is a shot of light in the dark cavern of a broken heart. blinded by the lights rips apart the heart-string orchestra rather than just pulling on the strings. a love ballad lost in the haze of the mid-summer, faded to blue and repackaged as a gentle and tender winter anthem. sharing the a-side with the lucid dreaming of jeremiah r on the drum-heavy remix.
on the flip, i am not him is a filter-squelching, bass-slapping meander into green haze territory, that finally erupts into a swagger of familiar detroit-channeled drums and steady faded pads. outernet grumbles up the black-hole cosmic radiation with an industrial-tinged number that plunges the depths of deep-space. proper growling and clanging synths to add the right amount of raw, just at the end.

the album a little comedy, a little drama by dusty baron is the result of collaboration of moldavian fellows eugen kara, ivan slivka and dima scripnic. this collaboration has been lasting in the course of 2016, with miscellaneous recordings at home studios, including moldavian radio and television studio. inspired by french and italian psychedelic electronic music of 60s and 70s, cartoons and the comedian genre of absurd, the trio tried to incarnate their vision of the space into a lp comprising 13 tracks. vintage synthesiser lines and classic drum machines create a hugely entertaining blend intoxicated with universal love. now and then you trace the combinations of techno rhythms rushing into the futuristic vertical, and sometimes the sound transforms into a blend of absolute and exotically influenced reverie.

presenting the new ssaliva release on ekster: we never happened. 180g vinyl packed in a pantone printed outer sleeve with drawing by charles-henry sommelette. comes with printed inner-sleeves and silk screened plastic oversleeve. i am a vessel. a muffled mass. a bulk. extent. a womb. i move. so i am neither here nor there. always somewhere in between. to give substance to this frame, i carve out a piece of me. sometimes a shape, sometimes a form. into this space i pour the siege of me: words, pictures, you. so we can become me. viscosity and temperature dictate the time it takes. when it is done, i break the mold i am. i take the cast inside and place it by the others. choose one and take it home.

following last years dangerously good depatterning lp, ipman returns to tectonic to deliver his latest instalment in bass-driven technoid mutations. constrict jumps straight into the deep end at 140bpm, diving head first into pulsing waves of warping, dynamic synth layers swimming back up to the surface for air. as the intro build peaks, the track effortlessly strikes when the bass drops in, charging the techno synth interplay with a sort of 3/4-step type rhythm shaping the movements. impeccable dance floor music that sits in an undefined zone between the worlds of techno, dubstep and somewhere yet defined. flip then for running man, which sees a sharp drop in tempo, bringing the speed down to 120bpm but maintaining the energetic build of constrict. starting from an almost empty space, running man takes an upward momentum, building and layering percussion and sonic textures as the heat of the chase takes full effect. dark and deadly, this is one for fans of sci-fi sonics and dread vibrations.

life garden was formed in phoenix, arizona during the fall of 1989 by george dillon, su ling and w. david oliphant. the group was the reinvention of post-industrial band maybe mental (1982-1987) and delved into an ineffable territory, where language failed, their music found root. yogi says tip! life garden s sound focused on creating a space that would transcend people to a world of beauty, intensity and mystery. each release was loosely guided by one member, caught between the tapestry of silence and beauty (1991) was focused towards the poetry and vocals of george dillon who sadly passed away after the completion of the album.

carlos sanchez strikes back with a heavy weight 4 cuts ep. confirming the high level vision of this canarian producer after being rising up on significant labels such as poker flat, freerange records, la vie en rose or 8bit, carlos brings now to home invasion solid & analog raw drums baked with organic elements, delivering serious grooves wrapped up with sophisticated & sweet uplifting chords seeming to be from outter space.

the always trustworthy sound carrier label steps back into the limelight to hit us with another fix of quality techno from monsieur chris carrier. the parisian producer never stops making music, and he presents three new extra terrestrial cuts here on this latest instalment from his excellent label. the story here is about two powerful intergalactic beings who discover that they have been lied to by their leaders - there are no magic mushrooms, just a forest of poisoned ones. they have laid down their arms to discuss this despicable turn of events… track one is a rolling slice of analogue techno with acid licks and squelches bubbling away at its core. named ‘cat’s eye nebula’ it sucks us in to an interplanetary vortex, with cosmic fx transporting to the interior of a spaceship, while the beats give the feeling of a bumpy ride into the cosmos. this is followed by the more composed solemnity of ‘galactus’. shuffling beats slide over a funky bassline, the outer space theme continues with carrier implementing a series of manipulated sounds which convey the feeling of futuristic machinery, blinking dashboards or robots communicating with one another. finally, we have ‘dark poison’, the inspiration behind the whole ep. more deep 303 vibes on this with a simmering analogue riff, percussion which increases in intensity alongside several layers of melodramatic effects, high-pitched twinkles and chimes which really add to the tension

ritual chants is a stellar earthbound and outer space odyssey spanning 3 chapters, respectfully embellishing psychemagik s taste and passion for the wonderful, the sublime and very often unusual.

ritual chants : beach !!
ritual chants is a stellar earthbound and outer space odyssey spanning 3 chapters, respectfully embellishing psychemagiks taste and passion for the wonderful, the sublime and very often unusual.

ein spannender blick auf das vermächtnis der rocklegende david bowie – von seinen anfängen bis zu seinen letzten aufnahmen: hier ist »legacy (the very best of david bowie)«.
limitiertes 180 gramm doppel-vinyl im klappcover

statue is a live percussion based dance project, the brainchild of melbourne drummer tom gould. over the past five years he has honed his craft in cult melbourne bands no zu and worlds end press but now greets the dance world under the moniker statue. after featuring in last years beats in space - best of the year list with his debut 12-, his second ep ‘monument is a reflection of the human and a testament to dance floors both indoor and out. monument further establishes statue as a fixture in melbourne’s dance music culture, constructed for both warm afternoons and the sweaty early hours of australian summer. the ep traverses multiple tempos, between techno, house and tribal percussion, creating a world of warm percussive dance floor odysseys arriving parched and thirsty for more at it’s aural peak, monument. the expedition ends with an expansive remix by disco halal king pin and recent esp institute alumni, moscoman

for the next volume of the long running turntables on the hudson series, we head down south to brazil to get a little dancefloor sunshine to warm up these cold winter months. the turntables on ipanema ep features four tracks on a 12inch from the digital compilation which will be dropping the same day on wonderwheel recordings. first up, brazil s dj g gives us samba da terra, a deep, jazzy brazilian house/samba fusion joint sure to get all the dancers on the floor. next, the ever prolific simbad comes through with the brand new detroit de janiero, a bangin track equally inspired by early motor city techno as the drum rhythms of brazil. on the flip side, nickodemus and simbad collaborate on berimboom another deep electronic house joint with an infectious bassline that percussively floats into rio. rounding up the ep, wonderwheel mainstay zeb comes with the slo-mo spacey dub house vibes of space forest.

art yard records continues its voyage into the omniverse of unreleased sun ra tapes with i roam the cosmos – an unreleased, previously unheard 1972 live session recorded at slug’s saloon in new york. limited 180 gram vinyl pressing only with tip on sleeve. check!! fronting a stellar 18-piece incarnation of the arkestra, i roam the cosmos finds sun ra taking us on a poetic journey to the outer limits of planetary awareness. while the captain of the space-ship declaims his message with arkestra vocalist june tyson as co-pilot, the arkestra voyage into the solar centres of esoteric astro-black knowledge aboard a comet-trail jam on ‘discipline 27-ii’. as current arkestra member knoel scott observes in his liner notes, sun ra was a teacher, come down to earth to spread the enlightenment of the ancients and advance the alter-destiny of humankind. this earth was not his home: he was here to wake the sleepers, and to make sure no-one would forget his message. the universe sent him to converse with us, and i roam the cosmos is another unique message from saturn, delivered for tomorrow’s world by art yard records.

burgeoning club label nervous horizon follow up label boss tsvi’s recent ‘sacred drums’ ep with a new ep from houndstooth, aus and r&s signee, second storey. ‘spin cycle’, comprised of three tracks written in the same warehouse space storey shared with tsvi and fellow nh boss, wallwork, earlier.

ideepsum, sublee’s debut album, finds its home under the metereze name. the 6 tracks are spread across 2 records like seeds sharing the same fertile ground embodied in sublee’s creativity.

after showcasing individual talents in its first compilation, rotate’s second release opens the co-working space and begins a series of releases with the sole objective of engaging its in-house artists in spontaneous collaborations and collective thinking.

a celestial body alive, in movement from the gravitational pull of forces yet unknown hurtling through our inner space. where thought and concept are intertwined with light and sound where cosmic shudders become music. where categories are obsolete and there is only impression.

daniele di martino now comes back with an ep that is made for long and dark nights in the small clubs. therefore, di martino goes back to his roots by creating straight deep house combined with a pushing bassline, as he does in the original version of faust - providing a result that is perfect to be played somewhere in the deepness of the night when there is no time for hesitation. the second track different comes a bit more melodic, includes vocal snippets and leaves space to breathe und feel - while the bass is as dark, it could dig an aisle in the middle of the dancefloor.

fabio fabor is a mysterious composer and musician who wrote mostly operas, symphonies and chamber music, but also experimental and electronic library music, the latter being the case of this release: short tracks aiming to accompany radio and tv shows, orchestral pop a la bacharach, space age pop, hints of bossa and beat from the previous decade. originally published by the legendary seri e usignolo, a sub-label of fonit, this hard-to-find title is finally available again thanks to schema records

fabio fabor is a mysterious composer and musician who wrote mostly operas, symphonies and chamber music, but also experimental and electronic library music, the latter being the case of this release: short tracks aiming to accompany radio and tv shows, orchestral pop à la bacharach, space age pop, hints of bossa and beat from the previous decade. originally published by the legendary seri e usignolo, a sub-label of fonit, this hard-to-find title is finally available again thanks to schema records.

two more classic cuts get the re-edit treatment from shield. played by carl cox & nic fanciulli at the space ibiza closing party.

returning from the unknown space of his debut, martianman is back to refine his label’s ethos, continuing the exploration of sci-fi themes & deep ambience with vol.2 the opener, “got a dream”, bubbles up from submerged atmospheres, as a crisp, rattling break fights its way through the fog. martianman once again shows off his ear for textures, subtle vocals fade in and out of an entrancing, bottomless pad. a dark-meets-light journey through the cosmos. “amber fields” comes straight from the halcyon days of the mid-90’s intelligent movement. a light, rolling hot pants break gives way to a myriad of pads, strings and bleeps, each element shifting neatly throughout the fold. fans of the good looking vibe would do well to pick up this piece of subtle, understated beauty.

having done such wonderful work alongside wolf muller on the sound of glades album, cass makes a welcome return with an expansive album release on emotional response. the german producer s ambient tendencies blossom here, occasionally meeting with laconic drums as on u but primarily dealing in huge swathes of melody. djs will want to hold out for the dramatic pulse of ann, where a more pronounced drum set makes for one of the album s most club-ready moments. theres a strong variety of tones and moods across youth sessions, from the strafing arpeggios of running to the bliss-out shapeless swirl of prismatic prolog, and this ensures that the album will not dull with repeated listens.

12inch with printed sleeve, collaboration with photographer carolina pimenta: limited edition photo prints available (tba). moody collective is proud to present the first release on their new imprint moody records. clemens k. is taking us on a journey from brazil-infused downtempo over heavy jungle rhythms to psychdelic disco and soul. dorado (downpitch) created a remarkable reinterpretation of the intro track estate that is opening up the clouds to 80s space. photographer carolina pimenta has created limited edition art prints for the ep, that will be available at the release party in lisbon as well as in selected partner stores

a six-track beast ep from the depths of the bangface rave in 98. lush jungle radio transmissions, mpc-pitched af techno workouts, industrial noise, percussive madness and absolute stomping technoid space invader bizz.

a real treat for any fans of tangerine dream, innovative communication or mike oldfield, paladin brings us the contemporary sound of visionary uk synth-prog music via berlin-based label per musica ad astra on his album unknown zones . epic tracks dominate the record in true 1970s tradition, containing suites of music that elevate, transcend and transport the listener in his mind s eye to faraway exotic realms of musical dreamscapes hitherto unimagined. comes with free space insert and copies are limited!

repress 2016 , firecracker recordings drop the long awaited ep4! as usual, the packaging is of highest quality - a must for the collectors of the series. linkwood & house of traps take the a side with barely eagle. its a huge, slow moving disco hybrid thats already been played to death by trevor jackson, trusme and the unabombers! linkwood drops a killer edit on the b side and fudge fingas explore unknown space territory with his ra inspired situation diminished. three killer tracks on ltd 10inch vinyl press! do not sleep on this!

nice price deal !!! the slam dunk ep series finds nyc producer sporting life evolving his creative range after acclaimed work with ratking and wiki.inspired by takehiko inoues popular manga series, the slam dunk eps are three volumes that will encompass collaborations, instrumentals and remixes. this doublepack vinyl edition includes the nine original tracks from the three eps and an additional three tracks exclusive to this format including ‘no stress featuring novelist.the vinyl is housed in a picture sleeve with spot uv gloss print and full printed inner sleeves. following on from his r&s debut 55 5s, a 10 track mind-bending beat tape that bristled with promise and originality, sporting life aka eric adiele returns to the label for a trio of eps titled slam dunk. comprised of ear-popping instrumentals and guest vocalists and even a range of apparel, slam dunk sees adiele drawing on his love for takehiko inoues massively popular manga series of the same name, and the stupendous grace, power and agility of the storied basketball greats. the aforementioned guests are drawn from sports friends and contemporaries including ratkings wiki, devonte hynes, evy jane and novelist

new four-tracker by petr serkin on freedom sessions records! this release includes disco-banger disco space booster, mellow jazzy old tales from the future, groovy and soulful flying jam and funky heavy load.

32 mayday-klassiker auf limitiertem 4-fach vinyl im klappcover.

groove line records follows up the change remix 12” from the summer with the latest instalment of our officially licensed disco remix 12”s. next up are two exceptional disco remixes of the salsoul orchestra classics, “tale of three cities” and “tangerine”, by mike maurro, whose recent the mike maurro peak hour remixes box set has cemented the new york producer’s reputation as one of the most respected disco remixers on the scene right now. side a features “tale of three cities” (mike maurro disco remix), one of the salsoul orchestra’s funkiest cuts, written by bass player ron baker for their debut lp. maurro extends the arrangement to nine minutes, concentrating on the driving beat and rhythm section for the intro, subtly adding the guitar and keyboard parts before the first orchestral bridge at 1m36. stripping back much of the orchestral elements throughout the mix he gives more space to the deftly executed solo guitar and keyboard passages and gives special attention to vincent montana’s vibes, taking the dancer on a beautiful journey through the salsoul sound concluding with an instrumental, ethereal outro. side aa features “tangerine” (mike maurro disco remix), vincent montana’s skillfully rearranged version of the lilting jimmy dorsey pop standard which was the group’s biggest pop hit, also from their debut lp.

new years deal - , fresh from guesting on the debut powell lp sport (xl recordings), and having released on labels such as the tapeworm, entracte, and halcyon veil, dale cornish now presents clap - four rhythmic experiments that explore the mesmeric tones of the digital clap using the ever-popular tr909 clap pre-set. sharing similarities in intention with n.m.os as strict as possible approach, pieces subtly evolve and mutate around the clap to generate motion, tension and action. oolovka takes an unashamedly joyous look at the clap, where melodic repetition whirls and whirls until it takes on a form of mesmerising minimalism – perhaps taking its cues from a modern take on steve reichs ‘music for 18 musicians’ as a backdrop for the clap to playfully roll over and mutate into a sound which is both refreshingly light hearted yet steeped in rhythmic experimentation. cxema takes us a into a tenser, more claustrophobic space where a heads down pulse keeps the body locked until the fog is occasionally broken and the tension momentarily cleared via delayed claps and familiar sonar tones. this vibe continues into isolate with cornish upping the anxiety by using the clap as a foreboding menace. coming across like an inspired soundtrack to a military performance piece the concern appears to revolve around strict precision and strict movement and how the clap can be used to enforce and heighten this functional display. before encore winds things down by stripping things back to the bare minimum for movement – a single effected clap gradually layers and layers itself to create pleasingly odd high tension atmospherics solely through a meticulous process of delicate rhythm and repetition.

for the first time on vinyl, 3 years after gilles peterson launched the reflex career with it, and played by all top jocks worldwide regardless of their style, rock with you is re-imagined strictly from the multis, including unheard vocals and instruments. on the b side, grab yourself a piece of history as that edit of all night long was the last ever track to be played on the infamous terrace at space ibiza! originally made for the reflexs own wedding back in june 2016, with the vocals upfront and amazing strings which were buried on the original mix brought to the fore, beats tight at 109 bpm, its the first alternative version of its kind available for the modern djs.

he’s back in the kitchen… after a summer of endless touring – including the illustrious position as one of the final djs to ever play space terrace – madrid-based garcia has returned to his flavour lab to cook up a whole new wealth of grooves and the future is looking tasty. last spotted on pets in 2013 - and since serving up styles on some of the most respected labels in techno – pokerflat, freerange, darkroom, perspectiv and supplement facts - garcia provides two quintessential winter warmers.

the kurl project started in the summer of 2014 where the primary concept was to sonically encompass the various influences of a twenty-year musical journey. the essence of kurls sound is mainly deep dub with hints of house groove that create a very unique sound environment connecting the listener to his lifestyle and movement. at the root of “sacred fire” is a very special love story. kurl started an emotional partnership, a genuine brotherhood with mj white, one of the pioneers of the soulful house music sound of the new york ’90s. marshall james white appeared on many hits in the nyc club scene including scandalous still irresistible just to name one. he tragically passed away in november 2015. mj white gives soul to sacred fire by writing the lyrics and interpreting it with so much passion that kurl was able to transform this track into an eternal love song. for kurl, mj white will remain the angel with a heavenly voice, and above all, a memory that will mark his internal and musical journey for the rest of his days in the words of mj white music has a huge heart that beats inside all of us.

the tree, a symbol of union between past present and future, holds within itself the four primordial elements born out of chaos to create order. eklero is a project that aims to disseminate and promote music outside the classical schemes. it is a timeless space where you can experience all kinds of abstract ideas.

the colors are stunning. in a single view, i see looking out at the edge of the earth, all the colors of the prism. red at the horizon, blends to orange and yellow, followed by a thin white line, then light blue, gradually turning to dark blue, then black as the vastness of space engulfs the surroundings. as i looked upon our home rock, i saw many natural features. i witnessed a large river meandering slowly along for miles, passing from one country to another without stopping or hesitation. i also saw huge forests, extending along & across several borders as if these divides didnt exist. i watched the extent of one ocean touch the shores of separate continents, then suddenly, a profound thought came over me as i looked down on all this. the birds dont fly this high

nice price deal !!! beat pharmacys brendon moeller drops two high end dub tracks on the worlds prettiest looking label, ann aimee...tip! ann aimee presents another new quality artist on their label. new york based south african, brendon moeller has been producing music since 1994. his compositions have been released on francois ks deep space media, third ear records, echocord, mule musiq, rekids and more. he records as brendon moeller, beat pharmacy and echologist. dub, techno, jazz, afrobeat and psychedelia are inspirations that appear in most of his music. whether it be serious dancefloor bizniz, or dubbed out bass-scapes, his music always possesses a quality and signature that have helped him become the prolific force he is today

new to the stay underground it pays gang, the ninth release on the label comes from one of the hotest & experimental berlin producer (bordeaux native) : willis anne ! after a few releases on great labels such as berçeuse héroique & nous, he’s also the proud owner of one the most interesting label we’ve seen for a while called lan (perseus traxx, steve summers, andreas gehm ...). we get the chance to get 5 cuts on one ep which is almost a mini album introducing you guys to his astonishing sound. it could be described as dreamy, raw, completely analog (his trademark), well some kind of proto-techno new-wave belter. killer.

bosconi extra virgin has prepared for you two super tasty various artists featuring 11 tracks by 11 new, fresh and promising producers mostly from all around the italian peninsula but not only! -the sweetest- volume 1 begins with the outstanding jazzy midtempo song of austrian producer m.a.r.s -feel the heat- and the deep space, italo soundtrack infected boogie directly from napoli of bop & 291out s -uomo dalle nuvole- , known for their releases on acido records and really swing.b side features instead the chugging raw deep house track (($)) from misterious producer from tuscany def safari and more funky, garagey, soulful vibes and broken beats by the mechanical man from napoli and young artist jts1 from milano.

james dexter has been incredibly prolific over the last few years, with numerous taste-making labels show-casing his ear for refined, dynamic house music. with his first release on the poker flat wax series, the young brit drops three new mission statements from the underground, each unified by a slick production sensibility and irresistible feel for groove. voices is a deep bomb - a shuffling, kinetic rhythm with oceans of space for subtle melodic elements and textures. spread out over eight and a half minutes, this is one to get lost to. point blank’s deep pads and detuned kick drum reference detroits classic house sound, the raw drums and vocal snippets adding a truly basement vibe. area 51 is another atmospheric late night jam, with a bumping rhythm track and subtle pad washes - stripped down and weaponised for the serious dancers.

4lp double gatefold that unfolds to present a model of the exhibition space the concerts took place, include 4 lp, 4 printed art innersleves, exhibition booklet. on august 31, 2013, for the opening of wade guytons exhibition at kunsthalle zuerich, blondes, james campbell, and i.u.d. each performed in front of one guytons expansive canvases.

meander welcomes the highly talented kamran sadeghi on their musical platform. two upbuilding, energetic and mesmerising cuts define this smart material for the deeper dancefloor moments. kamrans sound is uncompromised, it comes from the core. his live performance and productions can be described as an experience into hypnotism and space, detailed and full of physical energy, crafted on analog machinery with futuristic intent.

nice price deal !!! deep / minimal dubby spacin detroit orientated tracks

spain s javi bora has been steadily carving out a name for himself over the past few years holding up a residency at the infamous, now late space ibiza and its kehakuma parties, as well as racking up releases for elrow music, suara, robsoul, 2020 vision and moda black. here though we see him paired with fellow spaniard for a new ep set to be released via london s fledgling spilt milk recordings which has played host to material from the likes of italoboyz, alexi delano and of course its founders tred benedict and st. bernard. title-track bounze takes the lead on the record, laying the foundations with snaking synth sequences, voice atmospherics and robust rhythms before hector moralez and katal step in on the remix. the pair reshape bounze with their own stripped-back distinctive style, opting for floating pads, heavily swung percussion and snippets from the originals spoken parts. ritual rights follows and lays focus on arpeggio 303 tinged bass hits, crunchy drums and subtly unfolding synth leads that ebb and flow throughout the record. the 002 then rounds out the package with dubby stab sequences, soaring pad swells and gritty, energetic rhythms

rfbcolours 004 is aimed at the dark, jazzy smokey affairs. from the off u can see the imspiration fro the ep title with the a1 track from sombro and embezzlement society capturing a low end, horn sampled groover with rough claps and an undeniable groove. georgi barrel delivers again with something that will warm up the coldest clubs or capyure you on sunset terraces. long island sound hit the pianos hard on the slower paced but equally as grabbing and tense -grit-. label owner jamie trench rounds off with night lanterns which is a track thats been waiting for a space on wax for a good few years now and fits beautifully with the rest of the ep.

ltd to 220 copies
long time minimal techno pusher franklin de costa steps up to jersey city label green village to thrown down a ruckus with four serious cuts of advanced house and techno. -derp journal- may be flippant in name, but the bassline it packs is not to be trifled with, nor the edgy drums and lashings of reverb. -bogart space- is a more house-minded affair, but it s still reaching to a contemplative space using unfamiliar sounds. -good day bad day- gets into a cyclical, psychedelic mood thanks to a trippy synth circling overhead, but then the ep gets dealt a tough finishing blow by the cranked up hustle of -flashmelo-, coming on like a crunchy mid 00s minimal jam of the highest order.

following on from the acclaimed “talk from home”, suzanne kraft returns to melody as truth with a second full release, “what you get for being young”. recorded in amsterdam over the course of may 2016, “what you get for being young” offers a full immersion into kraft’s ever-evolving world. a milky tip! . lush, digital manipulated synths spread across cold surfaces, metallic drums dance around skeletal song structures. whilst echoes of “talk from home” remain, they are but faint echoes, as kraft’s recent exploration into sound-design and digital manipulation confidently posits “what you get for being young” as an entirely new chapter in the artist’s growing narrative